Class #1: Introduction, musical meaning, elements of music

Lecture slides: QCC – August 26

Recordings of pieces played in class are available here.

 

Class #2: Controversies in religious Renaissance music

Class discussion notes: What Is Music? 01 What is music discussion

Lecture slides: QCC – September 2

Recordings of pieces played in class are available here.

Texts of pieces played in class: 02 texts

 

Class #3: Court music and the patronage system

Lecture slides: 03-patronage-system

Handout, French court music: rameau-an-account-at-versailles

Handout, Bach’s contract in Leipzig: bach-duties-in-leipzig

Recordings of pieces played in class are available here.

 

Class #4: The Enlightenment, the Industrial Revolution, and the rise of the middle class

Lecture slides: 04-enlightenment-rev4

Recordings of pieces played in class are available here.

Purchase handout (Enlightenment readings): 04-handout-the-enlightenment

 

Class #5: Hero Worship: Napoleon and Beethoven

Lecture slides: 05-beethoven

Recordings of pieces played in class are available here.

QCC handout (reactions to Beethoven): 05-handout-quotes-on-beethoven

Purchase handout (reactions to Beethoven): 05-handout-quotes-on-beethoven-1805-1862

 

Class #6: Cultural Identity and Volk (Franz Schubert)

Lecture slides: 06-schubert

Recordings of pieces played in class are available here

Text of the Lied: Franz Schubert, Der Erlkönig 06-schubert-texts-erlkonig

QCC in-class examples of music analysis 06-writing-examples-of-analysis

QCC writing suggestions 06-general-editing-suggestions

 

Class #7: From the East: Opium and percussion

Lecture slides: 07-east

Recordings of the pieces played in class are available here

Handout (Berlioz’ program note for Symphonie fantastique): 07-berlioz-program-note

Map handout: 07-worksheet-map

 

Class #8: The dark, the creepy, and the macabre

Following the midterm, we held a class-driven discussion about music by Arnold Schoenberg. This discussion was based on questions students developed in-class to guide themselves to understand a piece of music, and there are no lecture notes.

Handout (examples of Expressionist poetry): 08-expressionist-poetry

Recordings of music played in class are available here

 

Class #9: The Belle Époque: from the Franco-Prussian War (1871) to World War I (1914)

Lecture slides: 09-french

Recordings and texts of the pieces played in class are available here

 

Class #10: Unwelcome minorities and (im)migration

Lecture slides, Purchase: 10-minorities-purchase

Lecture slides, QCC: 10-minorities-qcc

Handout, Johann Nikolaus Forkel: 10-handout-forkel

Handout, Clara Schumann: 10-clara-writings

Recordings and texts of the pieces played in class are available here

 

Class #11: Musicians in World War II: Olivier Messaien and Dmitri Shostakovich

Lecture slides: 11-wwii

Lecture slides, in-class writing lesson (QCC): 11-in-class-writing-lesson-analysis

Handout (Purchase), 2004 incoming freshman address at Boston Conservatory: here

Handout (Purchase), writings by Béla Bartók on music making in communist Hungary and reviews of Dmitri Shostakovich in Pravda:

  1. bartok-weiss-382-384
  2. pravda-weiss-422-425

Recordings of the pieces played in class are available here.

 

Class #12: Minimalism

Lecture slides: 12-minimalism

Handout, Rzewski score: rzewski-coming-together

Handout, Rzewski performance notes: rzewski-coming-together-notes

Recordings of the pieces played in class are available here.

 

Class #13: Multiculturalism

Lecture slides: 13a-multiculturalism

Handout, symphonies: 13-symphony-review-list

Handout, 20th century works: 13-20th-c-list

Handout, writings from William Grant Still and Olly Wilson (Purchase only):

Recordings of the pieces played in class are available here.

 

Class #14: Anti-materialism

Lecture slides:  14-anti-materialism

Handout, list of pieces studied in class this semester: 14-review-list

In-class final exam review slides: 14-final-review

Recordings of the pieces played in class are available here.